CINEVERSITY

Hi kariomart.

N-Gons are great for modeling; after that, they should go.

With the Remesh Generator, we have a great and fast way to produce lovely meshes for a wider variety of objects. Is that always working? It depends. Trial and error from time to time, sure.

Anyway, please have a look here.
CV4_2024_drs_24_RSdp_11.c4d

Compare the results when rendering the scene. The scale will change if you move the time slider; frame 30 is perhaps a good starting point. I think the object on the right will clearly show the minimum quality. It's the same material and the exact same RS Object Tag. Just the underlying polygon setup differs.

All the best

Hi history-growth,

Please have a look here:
CV4_2024_drs_24_ANap_03.c4d

Perhaps a sketch or even a storyboard would help to see what your target looks like.

Several options are certainly possible depending on what you like to have and how you edit the clip.

The Bend deformer (and perhaps just the Voronoi Fracture would be the simplest way, and besides anything Simulation-based, I believe using Joints would be the more complex but eventually the more detailed approach. For a professional production, where often uncounted revisions are done when the peel would be the focus point of a take, then Joints might work best.

Yes, with tears, we have seen a few results of little rough shapes fly away, but peels tear so rough, and their edges depend on the cut. In my example above, I would assume to use an Alpha channel to define a more "natural" shape than the rectangle. With the inverted Alpha, the remainders would be defined.

Cheers

You're very welcome, Sweeping Motion,

My best wishes for your project.

Thank you very much for the file, Mark.

Please have a look here:

CV4_2024_drs_24_MGps_21.c4d

The Matrix Object is the classic object to be deformed without deforming the Clones later on.

You can filter Rotation and Scale with the Inheritance Effector, so only Position is left.

All the best

Hi HillBelly,

Have you contacted Tech Support?
https://www.maxon.net/en/support-center
I'm not supposed to provide what tech support is for, to keep things in the correct information flow.

Anyway, perhaps go to Preferences> Render> Redshift, and switch User Interface>Material Preview to Off (or When Render is Idle).
I suggest testing if the problem persists when you use a different drive, perhaps just a fast UBS.

Is that the same problem on a different computer for you if you can?

My best wishes

Hi Chum,

Thanks for the file and for using Dropbox!

Please have a look here:

CV_2024_drs_24_MGlm_01.c4d

It is a simple Cloner> Blend, with an Effector set to Modify the Clone combination.

Each Clone's ID produces a different state of the Blend with the formula.
I have five child Objects under the Cloner. (Two or three would already work.) Each time, the Bend Deformer is set up differently.

The formula produces a result of "cycling" between zero and one. Zero is the one end of the Child hierarchy, and one is the other end. Or, to be more detailed, if the Effector produces 0.5, then it is the middle child.

While the ID of each clone is in the "mix," the results vary, and this produces the variety.

All the best

Thank you very much, Henri.

I will keep this in mind.

Buona notte for you as well, it will take a while before I can call it a day.

Hi meeting-influence,

Thank you for the file.

Here is your file back:
CV4_2024_drs_24_ANor_01.c4d

I colored the cubes, in case for follow up questions.

Screen Shot 2024-02-08 at 2.59.44 PM.png

One obstacle was undoubtedly in the "Scale" settings of the objects, being different than 1.0; I would avoid this in animation, as it distorts things down in the hierarchy.

Wheels can make sense in two ways: the axis moves or is fixed.

I have both in the scene and placed a camera on it so it can be easily observed. The camera has no other use here.

I have set the Up Vector to Expression 1, just in case, so it is always calculated after the Align to Spline.

All the best

You're very welcome, appointment-insect!

The Developer Café is a special forum for people who develop for and with Maxon Products.
https://developers.maxon.net/forum/

Off-Topic
Thanks for asking

I checked with DJI and got no positive reply or solution for this FAA requirement.
Besides, the FAA has not replied on how to renew my registration, and no devices are easy to get.

Weird times. My pilot license also needs a renewal, so I'm more or less "grounded" right now. 😉

Cheers

Hi geronimo,

Sorry, I'm not familiar with postimg.cc (For security reasons, I can't just click on things here. No exceptions.)

Please share the c4d file (reduced to the problem directly here; it must be below 1MB). Thank you. I assume it is a Maxon Render Engine, if it is a 3rd party, I do not have the licenses.

All the best

Hi geronimo,

I'm unaware this is available for customization as a single element.

You can drag the Information field (lower left corner) around the interface, but it is a mixed information field.

Perhaps the tech support has an idea.
https://www.maxon.net/en/support-center

Cheers

Cheers

Thank you very much, Adam, for your reply.

Yes, I use The MoSpline to control the whole setup more.

Please also note that I tried to find the "gap" usually closed by "Close Spline" to find the most matching area among all three splines. I have no "one-size-fits-all" suggestion, but I hope the set of options allows for the control you like to have.

Typically, I "play" with some settings to get a feel for the needed shape, and there is often a sweet spot.

Cheers

Hi smoore,

Thanks for the effort and the file, but so far, I have kept it out of the forum; I have shared the why here:
https://cineversity.forums.maxon.net/topic/942/help-with-basic-scene-nodes/6

Sorry about this, but perhaps this helps:
https://www.youtube.com/watch?v=F82AuduoN_g

All the best

Thank you very much for the reply, Hoi.

Have a nice day!

Hi Matt,

The export for such content would be the glTF format from The Kronos Group.
https://www.youtube.com/playlist?list=PLYO7XTAX41FNVFVQ2yS7JNAWYou5giSlH

It can be used with available glTF viewers or embedded in a website.

https://www.cineversity.com/vidplaytut/exporting_ar_game_ready_models_using_gltf
Texture, as far as I can tell, works with the Standard Render setting, not Redshift.
The player often used:
https://gltf-viewer.donmccurdy.com/
(Please note we have no control about web based player, or quality and security is not controlled by us.)

https://help.maxon.net/c4d/2024/en-us/Default.htm#html/glTF_General.html?TocPath=Configuration%257CPreferences%257CImport%252FExport%257CglTF%257C_____0

If you are looking for a 360º/180º image export (Equirectangular), use the Spherical camera and set the image to a 2:1 format (most apps like formats divideable by 2, e.g., a 1 K is typically 1024 [not 1000]).

Cheers

Thank you very much, Future-Craft.

I have long requested the Camera Tag back, as it will help to use any scene that worked with the Standard Camera and keep it more backward compatible. Besides, it worked well with the Camera Tag, and I didn't mind the tag at all.

But I assume minimal backup for this request came from the "Share Your Idea" option, and so less success for this wish so far …
https://www.maxon.net/en/support-center

My best wishes

You're very welcome, joel_motion,

You can send your questions here, which helps to prepare and answer.
[email protected]

My best wishes!

You're very welcome!

Thank you very much for your reply; no trouble at all, Dutchbird.

The manual doesn't share much about troubleshooting, so it is worth exploring deeper for the forum.

Thanks for your question

Cheers